Playlists! New Music! Spotify!

All the playlists I’ve published are now on Spotify, Apple, Deezer and YouTube; and sometimes Soundcloud, Tidal and Google Play.

I’ve been making mixtapes since I was old enough to press play and record at the same time. Yesterday I opened my old box of tapes and it was a treat to look through, but it reminded me that I’ve been rather lazy with publishing my playlists. But now that Spotify has launched in South Africa (I personally invited them in 2007), I thought it’s a good idea to share share share!

These days it’s easier than ever to make your own digital mixtape and publish it on social media. Not everyone uses the same streaming services though, which is why I’ve made dedicated pages (in the side column) for my Spotify and Apple Music playlists, as well as one for Other Services.

All the playlists I’ve published are now on Spotify, Apple, Deezer and YouTube; and sometimes Soundcloud, Tidal and Google Play. You can also follow me on Spotify and never miss a new playlist, as this is my preferred Streaming Service. More playlists coming soon!

The 10 Best Records & Wrok’s Best of 2017 Side B

Side-B

When I joked (badly) in January that this Chinese year of the Rooster is really just the Year of The Cock, I had no idea. There were so many great songs for the last part of the year, and not even from all the big bands or artists that you’d expect. In-between all the political, economic and climatic mayhem there was some sensible music being made.

Trends for the year include hearing amazing female vocals everywhere I listened and a return to “solos” in pop songs (guitar solos for sure, but other instruments too). Trumpety-trump proved to be a strong influence, adding a whole new chapter to the history protest songs. Everyone from Arcade Fire & Mavis Staples to Billy Bragg took a stab from across the pond, not to mention all the angry music (see Best Of Albums list). On the Side B playlist, the orange man gets a cameo on “House Cat,” and is summarily dismissed by a nonchalant Mark Kozelek (as a cat). But that’s just one of the 2.5 hours of my favourite tracks from July-December 2017. Let’s all hit shuffle and go on holiday.

national

1. The National – Sleep Well Beast

The National really are at the top of their game, and this album seems so effortless and smooth, I’d like to inhale it. They struggle though, and the intensity with which they wrestle their creative beasts are so pleasing and intoxicating. There’s absolute harmony and discordancy at work here, as well as really intimate lyrics. The record features the band’s first real guitar solos (there are two and they’re glorious).

LCD_Soundsystem

2. LCD Soundsystem – American Dream

The most brilliant record released this year to be met with equal and opposite amounts of scepticism. It’s one of their best to date and is overshadowed by their previous work. I only discovered LCD Soundsystem late anyway, but to me, this record sounds like prime LCD Soundsystem: the same themes but darker and the same sharp wit but with more bite. I don’t know why everyone calls it a comeback album when it’s clear that James Murphy never left the room.

Courtney_Barnett_Kurt_Vile

3. Courtney Barnett & Kurt Vile – Lotta Sea Lice

This record is my go-to album for 2017. It always matches the mood. With lots of happy, sad, rocking and laid back bits of quirky wisdom it makes sense that an honest, down to earth record would be the outcome from these slacker-rock indie darlings.

war on drugs

4. The War On Drugs – A Deeper Understanding

This album builds on the high standards set by Lost In A Dream, with the same wash of sound that transports you somewhere else. The mood is higher and the sound bolder, as if to resolve the two records in a celebration of victorious, dirty guitars.

Richard Dawson

5. Richard Dawson – Peasant

An exciting and strange British freak-folk album from this dude who came out of nowhere. Dawson shows incredible bravery on this medieval Celtic off-key album. It’s dirty with beautiful melodies scattered haphazardly, and the record sticks and stays with you. The weirdest and most groundbreaking album that has chosen me for a while.

weather station

6. The Weather Station – The Weather Station

Oh, my kingdom for beautiful Canadian singer-songwriters! This record is classic Folk Gold in the vein of Joni Mitchell, but at the same time is Tamara Lindeman’s confident own voice. With mint production, engaging lyrics and a rolling musical urgency, this is definitely both a vinyl/headphone and crowd-pleaser record.

protomartyr

7. Protomartyr – Relatives in Descent

Finally, a band has risen to take the flame from Nick Cave & The Bad Seeds. Protomartyr are pissed-off and mysterious like a good Goth-inspired Post-Punk band should be. They have great rhythm and pace, with a surprising lulling quality for minor chords and dramatic badassery. Definitely music to watch Trump speeches or have existential crises to.

GSYBE

8. Godspeed You! Black Emperor – Luciferian Towers

A very simplified GY!BE record that hits home and feels very true to now. The album fits in well with their body of work, although it’s by no means an extensive movement of beautiful music. Rather it presents a well-organized progression of rage as grandiose tracks bombard your ears for just under an hour. A cathartic listen.

rostam

9. Rostam – Half-Light

An eclectic debut from one half of vampire weekend. The album turns pop song structure around while echoing traditional pop melodies. An inspiring sweet, detailed album from Batmanglij that doesn’t really go anywhere, but that’s entirely ok.

 

bongeziwe mabandla

10. Bongeziwe Mabandla – Mangaliso

A record that masterfully balances the traditional and new. South African Xhosa music has never sounded this modern or hypnotic, and this album turns sweet world music turned on its head.

That’s it. Special mentions to Bjork, Sza, Josh Ritter and Sylvan Esso. As Vicky would say, “soz lol.”

On Rejection and Feist’s New Album

There’s something arresting about Feist’s haunting voice. Her new album Pleasure (with lead single of the same name) was released earlier this year. It’s edgy and raw featuring her signature sweet vocals. Also, it’s like 2007 all over again.

The Reminder was released in 2007. It’s hard to believe that was 10 years ago and we were just getting to know Facebook. I was sitting in an open plan marketing office, listening to the record when I received a notification that my half-brother would like to be Friends. I’d spent my entire late childhood and teenage years daydreaming about him and my half-sister. I’d met him once, a handsome young man studying something important at University, but she’d remained a faceless stranger. I knew that she worked in advertising because my mom once gave me a torn out magazine article. It described her as an independent female Mover and Shaker at a sought after agency, which fanned the flames for storylines over years of only-child daydreaming. And then just like that, there was a friend request from someone I didn’t really know but shared a surname and some DNA with. I didn’t breathe for a minute. Accept.

We made plans to meet up and before I knew it I was on my way to a Wimpy in a small farming town. That month I was listening to Feist a lot. Universal had just released my flavour-of-the-month record, and the fact that I was working on it made it that much better. It’s funny how memories get associated with music. The Reminder was supposed to be that great award-winning Indie record I forgot about and rediscovered one day. But just hearing her voice takes me back.

That day was overwhelming. I spent hours speaking with my brother. We danced around the issue of my dad and tried to find things we had in common. It was good. We both tried. And then around lunchtime, my half-sister showed up. I was ecstatic, so bright-eyed and bushy-tailed. And in hindsight, such a fucking n00b. I wore all of the cozy family fantasies on my sleeve, and even though she kicked back skepticism at every opportunity, I soldiered on, trying to build that relationship. I drove the 2 hours back that day a little sedated and misty-eyed. Like a big secret had just been let out.

Over the next few months, I got to know my brother and his lovely wife. I introduced them to my husband and met my nephew. The blossoming romance was beautiful, we had heart-to-hearts about things that mattered in our lives and shared everything from painful experiences to the shape of our fingernails. I put together a pack of CDs for them because sharing music is a privilege that brings people closer together. It’s so personal, and getting a new music recommendation right is the kind of curatorship victory I thrive on. Of course, I added Feist into my sister’s hamper. Because Indie is badass and you know, Fearless Female, etc.

My sister, on the other hand, remained aloof. My Friend Request was met with silence. Her Twitter profile was full of talk about forgiveness and change and empowerment. We Facebook Messaged a bit and there was a phone call or two. I can’t remember how, but she told me that she didn’t like the Feist album. She thought it was too girly, and not upbeat enough. I thought that was weird. It was such a cool record and practically everyone liked it. And just like that, The Reminder became an allegory for my relationship with my estranged siblings.

About a year later at their family farm, my half-sister insulted my husband. To be fair she didn’t insult him directly, but rather our relationship, saying that we’re together because I had father issues (there’s an age gap). I drove home disappointed and hurt, and the road was long. She’d made all sorts of assumptions about my life, from which she’d been absent, but I had done the same. My mind switched between self-doubt (why doesn’t she like me), and self-hate (why do I care). I visited my brother but stopped asking about her. We saw each other at my brother’s birthday party a few years later. It was awkward, but she was friendly. We talked a little after that, and then one day she told me that she didn’t want to know me.

It’s astonishing how you can let one person hurt you so much, without them even knowing. My half-sister doesn’t want to know me because we share the same father, something I literally have no power to change. My father has been trying reach out to them for years, with mixed success. He is a difficult and complex man, but his relationship with them has nothing to do with me.

I still love Feist but can’t listen to The Reminder in one sitting. Her new album Pleasure is superb though. It seems to have gone relatively unnoticed as there aren’t enough reviews for a Metascore rating despite an April 2017 release date. If you’re in a quiet mood you should definitely listen to “A Man Is Not His Song”. This year I’ve been slaying a few dragons in my life. I’m also trying to listen to more Feist.

“Sealion” is track 6 on The Reminder and is a super-classy, catchy AF cover of Nina Simone’s “Sea Lion Woman.”

 

Best Records of 2016 and a Rad Playlist

Whew, 2016. This year of musical loss has been a one where complex records have connected most with me. On the theme of death, David Bowie’s Blackstar, Leonard Cohen’s You Want It Darker and Nick Cave’s Skeleton Tree were the most prophetic. Sometimes they were a little too sad for me, so I return to them in small doses.

At the top of the year I loved Gallant’s great debut, and the rest of it continued with interesting alternative R&B/Pop releases from Rihanna to Frank Ocean. The production on records from Beyoncé, Radiohead, and Bon Iver fascinated me. It seemed perfect for Radiohead to bring out the sonically mature album that A Moon Shaped Pool is, and I reconnected with my once favourite band again on it. My record of the year is Bon Iver’s 22, A Million with its’ intimate tone and constant unraveling. It has a puzzling sense of timing and I kept returning to it, the one album that always had me putting the volume up, no matter how loud it was (I actually just want to inhale this record).

The genre-bending D.D Dumbo doesn’t sound like anything I’ve heard before. It’s organic, wise beyond it’s years and Australian. Pop music is again moving towards a more alternative space where it challenges the boundaries of genre… Except for the good Rock, which went back to basics this year with flame-bearers Car Seat Headrest, Lucy Dacus and Margaret Glaspy. I was fortunate to see Lucy Dacus live and her debut No Burden is a calculated statement of captivating stories, live and on the record. Shrug Rock is now definitely a movement and dammit, it sounds great! Car Seat Headrest’s Teens Of Denial is one of the most badass statement-making Rock ‘n Rolling albums of the decade. Angel Olsen made a deft move from a shy singer-songwriter to time-traveling rocker and LVL UP made the most infectiously noisy lo-fi Indie Rock record. Beyonce, the titan of Pop that she is, used all the genres in her album and got away with it because LEMONADE is a masterpiece.

At the most difficult times I returned to simpler, singer-songwriter records. Chris Staples put out the most reassuring lyrical album with gentle storytelling and humour. whilst Pinegrove’s confessional debut Cardinal is a sing-along record that is as relevant playing in the background when entertaining as it is if you’re crying into your whiskey. Don’t judge me.

There are releases that just didn’t make the top spots or that I need more time with: Mitski, Kyle Craft,Michael Kiwanuka, Wilco, A Tribe Called Quest, King Gizzard & the Lizard Wizard, Frank Ocean, Big Theif and Solange.

1. Bon Iver – 22, A Million

bon-iver

2. Car Seat Headrest – Teens Of Denial

car-seat-headrest-teens-of-denial

3. D.D Dumbo – Utopia Defeated

d-d-dumbo

4. Lucy Dacus – No Burden

lucy-dacus

5. Pinegrove – Cardinal

pinegrove-cardinal

6. Beyoncé – LEMONADE

beyonce

7. Radiohead – A Moon Shaped Pool

radiohead

8. Angel Olsen – MY WOMAN

angel-olsen

9. Chris Staples – Golden Age

chris-staples

10. LVL UP – Return to Love

lvl-up

I also made two playlists this year of Best Of tracks, or the best of what I’m listening to. You can listen to the first playlist in the previous blog post. The latest playlist is the 2016 Best Songs of the Second Half-Year, which is below. It’s 30 tracks/2 hours of the best songs I’ve found from June/July till now, available on Tidal, Apple Music, iTunes, Google Play and Spotify; and as a best effort (not all tracks) on YouTube, Deezer and Soundcloud.

Looking on the bright side of 2017, I’m thinking of how much great new protest music there will be coming out of the States…

screen-shot-2016-12-08-at-7-02-01-am

2016 Best Songs Of The Half-Year

This year is halfway done and already it’s been a great one for music. So with that I give you my first half-year list. Let’s see how it goes. NPR’s Robin Hilton has identified the trend of ‘Shrug Rock’ and I hear a lot of it around (it’s great)! There’s so much diversity on on this list though, I’d like to guarantee that you’ll find something you like… but you’ll have to listen for yourself. There is everything from trippy millennial-speak pop anthems (Beck’s “Wow”) to Paul Simon-esque honey warm melodies and African guitar riff appropriation (River Whiles “All Day All Night”) to alternative R&B beat-heavy hooks with falsetto (Gallant “Weight In Gold”) and a beautiful epic post-rock (Explosions In The Sky “Logic Of A Dream”). Also one band sounding a little like Animal Collective, and another R&B star sounding like she was a heavily influenced by the last Tame Impala record… As always, I do sequence the tracks but feel free to hit shuffle if that’s how you roll.

Just a note on availability, it’s a sign of the times that not all tracks are available across all services.

Listen here for YouTube (30/30), Spotify (28/30), Deezer (25/30) and Soundcloud (16/30) playlists:

Screenshot 2016-06-15 14.19.09

Listen here on Apple Music (29/20):

Screenshot 2016-06-15 14.31.44

And here for Tidal (30/30):

Screenshot 2016-06-15 14.16.14

The Best Music of 2015

Like last year, my year has been framed more by songs than full albums. Lyrically it was a magnificent year, and one where so many established greats quietly released new records (Decembrists, My Morning Jacket, Wilco, Low). It was also a rocking year for female vocalists and bands, and my Top 30 Best Songs Playlist reflects that.

1. Sufjan Stevens – Carrie & Lowell

sufjan

Sufjan Stevens released the most moving record of the year, a devastatingly sad and beautiful return to his singer/songwriter roots. Stevens unpacks issues surrounding mental illness and the reasons his mother abandoned him with ice cold honesty. Becoming a parent opens up all sorts of emotional vulnerabilities and at least for me, seeing this record performed live was a life-changing experience. For further reading you can’t do better than this Pitchfork interview.

2. Courtney Barnett – Sometimes I Sit And Think And Sometimes I Just Sit

courtney barnett

Courtney Barnett released the best debut album of 2015, a confident and casual authentic celebration of rock. The raw guitars and basic progressions are the best thing to happen to Garage Rock in a long time. Barnett’s thick Australian accent and direct lyrics encourage the most unlikely singable moments (and my favourite lyric of the year) “I think you’re a joke but I don’t find you very funny.”

3. Ryan Adams – 1989

1989

Ryan Adams’ cover of Taylor Swift’s 1989 is the best guilty pleasure of 2015. When he sings “That’s How You Get The Girl,” he’s really saying how he lost the girl, and much of the album is this kind of antithesis/call and response that plays with Swift’s original. It’s basically the best pop record turned into the best breakup record.

4. Kurt Vile – b’lieve i’m going down

b'lieve

Kurt Vile is the most sophisticated slacker on this list. He ditched his electric guitar for a more mellow sound incorporating piano and banjos. It’s a perfect alluring record that balances fun and soothing in a lazy acoustic fashion.

5. Father John Misty – I Love You, Honeybear
6. Alabama Shakes – Sound & Color
7. Olafur Arnalds & Alice Sarah Ott – The Chopin Project

5-6-7

Father John Misty’s cheeky and wry record was constant positive highlight of the year, filled with love and a healthy dose of cynicism. Alabama Shakes’ second record turned out to be a ballsy swamp-Rock statement that they’re edgy and soulful and ready to experiment. Olafur Arnalds and Alice Sarah Ott released the most inviting Classical Pop album of the year. The simplicity in their approach to Chopin come across as effortless and familiar while the acoustic detail they capture with their instruments is an audio feast.

8. Sleater-Kinney – No City To Love
9. Godspeed You! Black Emperor – Asunder, Sweet And Other Distress
10. Torres – Sprinter

8-9-10

Sleater-Kinney reformed this year to release a tight collection of hooks and melodies. I don’t know their back catalogue but this record starts, goes determinedly forth and conquers in just over 30 badass minutes. The new Godspeed album is the most succinct record of their sound to date, immediately recognisable but more refined. It’s beauty lies in the band favouring a more subtle classical approach rather than their familiar Noise Rock style. Torres released an impressive debut album filled with honest songwriting and raw emotional delivery. She keeps it mature though and along with her minimalist band she created the best Grunge song ever (see playlist).

There are still many of this year’s releases that I’m listening to. I’m not quite into the Wilco yet but I’m a big fan and I’m trying. I’ve just discovered Youth Lagoon and Rhiannon Giddens, both of whom may have made the Top 10. Finally it’s long overdue but I’m also getting into these artist’s records: Natalie Prass, Shamir, Fred Thomas, Joan Shelley, Julia Holter.

Below are the Spotify, Apple Music and iTunes playlist versions of my top 30 Best Songs of 2015. I did sequence them but feel free to hit shuffle if that’s how you roll. Some are from my best albums, most are songs that consistently had me turning up the volume.

Here’s the Apple Music playlist, I’ve just noticed that “Harrison Ford” by Darlingside isn’t available on Apple Music or iTunes but you can listen to it here on YouTube. I’ll add a Youtube playlist next year when all of the songs are available or have videos.

Update: Here’s the Soundsgood player with all the tracks across various platforms.